When the Ground Turns in Its Sleep
by Sylvia Sellers-Garcia

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As Sellers-García’s rich debut opens in 1993, Nítido Amán is seeking his origins in Guatemala following his father’s death by spending a year as a teacher in the remote village of Río Roto. His father had said that the Amáns came from a place very near there, but was never specific as to the family’s home village. Upon arrival, Nítido is immediately mistaken for an arriving priest and is too tired at first to correct the man who meets his bus and settles him in the sacristry. When, the next morning, his innocent questions about the burned schoolhouse and the path to a certain village are met with evasion, stony silence and worse, Nítido begins to suspect that Río Roto hides a deep trauma. On the third morning, when he is suddenly called in to give a woman last rites, Nítido, for reasons even he doesn’t fully understand, tacitly accepts the role of priest. In a moving tale of mourning and revelation, Sellers-García puts Nítido’s secret and hidden origins on a slow-motion collision course with the secrets of the town. While the pace is slowed by Nítido’s letters to his dead father, this spare and vivid debut brings together wrenching personal and political histories.

The How of Happiness: A Scientific Approach to Getting the Life You Want
by Sonja Lyubomirsky

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Drawing on her own groundbreaking research with thousands of men and women, research psychologist and University of California professor of psychology Sonja Lyubomirsky has pioneered a detailed yet easy-to-follow plan to increase happiness in our day-to-day lives-in the short term and over the long term. The How of Happiness is a different kind of happiness book, one that offers a comprehensive guide to understanding what happiness is, and isn’t, and what can be done to bring us all closer to the happy life we envision for ourselves. Using more than a dozen uniquely formulated happiness-increasing strategies, The How of Happiness offers a new and potentially life-changing way to understand our innate potential for joy and happiness as well as our ability to sustain it in our lives.

Beginning with a short diagnostic quiz that helps readers to first quantify and then to understand what she describes as their “happiness set point,” Lyubomirsky reveals that this set point determines just 50 percent of happiness while a mere 10 percent can be attributed to differences in life circumstances or situations. This leaves a startling, and startlingly underdeveloped, 40 percent of our capacity for happiness within our power to change.

Lyubomirsky’s “happiness strategies” introduce readers to the concept of intentional activities, mindful actions that they can use to achieve a happier life. These include exercises in practicing optimism when imagining the future, instruction in how best to savor life’s pleasures in the here and now, and a thoroughgoing explanation of the importance of staying active to being happy. Helping readers find the right fit between the goals they set and the activities she suggests, Lyubomirsky also helps readers understand the many obstacles to happiness as well as how to harness individual strengths to overcome them. Always emphasizing how much of our happiness is within our control, Lyubomirsky addresses the “scientific how” of her happiness research, demystifying the many myths that unnecessarily complicate its pursuit. Unlike those of many self-help books, all her recommendations are supported by scientific research.

The How of Happiness is both a powerful contribution to the field of positive psychology and a gift to all those who have questioned their own well-being and sought to take their happiness into their own hands.

The Birthday Party: A Memoir of Survival (Paperback)
by Stanley N. Alpert

New In Paperback $15.00

In this tartly written memoir recalling his 1998 kidnapping, Alpert, a former assistant U.S. attorney for the Eastern District of New York, describes his abduction and release, and the subsequent trial of the kidnappers, with an impressive amount of detail and only the occasional note of self-congratulation for how he handled the ordeal. On the night before his 38th birthday, Alpert was forced at gunpoint into a car near his Greenwich Village apartment, blindfolded, made to relinquish his ATM and PIN, and driven to Brooklyn, where he was kept in an apartment full of oddly personable, gun-wielding youths and teenage prostitutes. In between violent threats, the criminals solicited legal advice concerning past crimes and offered him pot and sexual favors in honor of his birthday. After 25 hours, they handed their hostage $20 cab money and left him in Prospect Park. Though the second part of the account, detailing the mechanics of the arrests and sentencing of the perpetrators, along with Alpert’s return to normalcy, is relatively dry and slow, Alpert delivers an honest, vivid chronicle of the suspenseful event itself in the memoir’s first half.

The Book of Other People
Edited by Zadie Smith

New in Paperback $15.00

Editor and contributor Smith (On Beauty, 2005, etc.) invited 22 other authors, many of them (like her) better known for novels than short fiction, to write a story inspired by the creation of a character. “The instruction was simple,” she writes in her introduction, “make somebody up.” Yet the stories correspond to no consensus about the role of character in fiction, or a return to realism, or the responsibility of fiction to mirror society. To the contrary, what Smith believes the stories show is that “there are as many ways to create ‘character’ (or deny the possibility of ‘character’) as there are writers.” The title of each story comes from the name of a character or type (”The Monster”) with the selections sequenced alphabetically. Many of the writers, including Smith, come from the McSweeney’s and/or Believer literary circle (Dave Eggers, Vendela Vida, Heidi Julavits, Chris Ware, Nick Hornby et al.) and most of the contributions range from the short to the very short (Toby Litt’s “The Monster” is a four-page paragraph). With proceeds benefiting 826 New York (a nonprofit organization for the inspiration and development of student writing), none of the writers were paid for their work, with the results sometimes more playful (and occasionally slighter) than one has come to expect from them. Jonathan Lethem’s Dickensian titled “Perkus Tooth” offers a hilarious dismissal of rock critics. A.L. Kennedy’s “Frank” provides an existential parable about a man who isn’t who he thinks he is. Though many of the stories have a first-person perspective, the narrator is rarely the title character, and some of the challenge for the reader can be determining whom a story is really about. In Colm T~ib”n’s “Donal Webster,” the name of the title character is never even mentioned, leaving the reader to guess who is addressing whom.

Brooklyn Was Mine
Edited by Valerie Steiker & Chris Knutsen

New In Paperback $15.00

Of all the urban landscapes in America, perhaps none has so thoroughly infused and nurtured modern literature as Brooklyn. Though its literary history runs deep-Walt Whitman, Truman Capote, and Norman Mailer are just a few of its storied inhabitants-in recent years the borough has seen a growing concentration of bestselling novelists, memoirists, poets, and journalists. It has become what Greenwich Village once was for an earlier generation: a wellspring of inspiration and artistic expression.

Brooklyn Was Mine gives some of today’s best writers an opportunity to pay tribute to the borough we love in 20 original essays that draw on past and present to create a mosaic that brilliantly captures the quality and diversity of the unique, literary landscape that we call home.

Contributors include: Emily Barton, Susan Choi, Rachel Cline, Philip Dray, Jennifer Egan, Colin Harrison, Joanna Hershon, Jonathan Lethem, Dinaw Mengestu, Elizabeth Gaffney, Lara Vapnyar, Lawrence Osborne, Katie Roiphe, John Burnham Schwartz, Vijay Seshadri, Darcey Steinke, Darin Strauss, Alexandra Styron, Robert Sullivan, Michael Thomas

Diary of a Bad Year
by J. M. Coetzee

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Nobelist Coetzee’s 19th book features a stand-in for himself: Señor C, a white 72-year-old South African writer living in Australia who has written Waiting for the Barbarians. C falls into a metaphysical passion for his sexy 29-year-old Filipina neighbor, Anya, and quickly plots to spend more time with her by offering her a job as his typist. C’s latest project is a series of political and philosophical essays, and Coetzee divides each page of the present novel in three: any given page features a bit of an essay (often its title and opening paragraph) at the top; C’s POV in the middle; and Anya’s voice at the bottom. C’s opinions in the essays are mostly on the left (he despises Bush, Blair & Co., and is opposed to the Iraq War) and they bore Anya, who wants something less lofty. Meanwhile, Anya’s lover, Alan—a smart, conservative 42-year-old investment consultant who’s good in the sack, and who stands for everything C despises—becomes increasingly scornful and jealous, and eventually concocts an elaborate plan to defraud C. of money. Unfortunately, Anya is little more than a trophy to be disputed, and Alan as an unscrupulous, boorish reactionary is a caricature. While C’s essays, especially the later ones inspired by Anya, hold some interest, this follow-up to Slow Year is not one of Coetzee’s major efforts.

Catching the Big Fish: Meditation, Consciousness, and Creativity
by David Lynch

New In Paperback $12.95

Lynch blends biography, filmography, spiritual quotes and his philosophical perspective on the life-changing capabilities of transcendental meditation, all within two and a half hours. Having practiced meditation for three decades, director Lynch discusses how it has influenced his life and helped him to concentrate his energy. Listeners may catch glimpses of creativity and consciousness, but Lynch’s rants lack cohesion and substance. Within the audiobook’s short chapters, Lynch barely broaches a topic before moving onto the next, leaving listeners to question his emphasis to go “deep.” The most interesting aspects arise out of his anecdotes and comments about his films, like Eraserhead and Blue Velvet. His dry rattling voice hints at the passion behind his statements, but more often comes across as insistent and almost whiny. He reminds listeners that authors do not always make the best voices for their books. However, on the sound production end, the lightly blowing wind for the quotes from the Upanishads and Sutras adds mystical air to their reading. It’s unfortunate that neither his words nor his voice live up to that standard.

In Defense of Food: An Eater’s Manifesto
by Michael Pollan

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What to eat, what not to eat, and how to think about health: a manifesto for our times

“Eat food. Not too much. Mostly plants.” These simple words go to the heart of Michael Pollan’s In Defense of Food, the well-considered answers he provides to the questions posed in the bestselling The Omnivore’s Dilemma.

Humans used to know how to eat well, Pollan argues. But the balanced dietary lessons that were once passed down through generations have been confused, complicated, and distorted by food industry marketers, nutritional scientists, and journalists-all of whom have much to gain from our dietary confusion. As a result, we face today a complex culinary landscape dense with bad advice and foods that are not “real.” These “edible foodlike substances” are often packaged with labels bearing health claims that are typically false or misleading. Indeed, real food is fast disappearing from the marketplace, to be replaced by “nutrients,” and plain old eating by an obsession with nutrition that is, paradoxically, ruining our health, not to mention our meals. Michael Pollan’s sensible and decidedly counterintuitive advice is: “Don’t eat anything that your great-great grandmother would not recognize as food.”

Writing In Defense of Food, and affirming the joy of eating, Pollan suggests that if we would pay more for better, well-grown food, but buy less of it, we’ll benefit ourselves, our communities, and the environment at large. Taking a clear-eyed look at what science does and does not know about the links between diet and health, he proposes a new way to think about the question of what to eat that is informed by ecology and tradition rather than by the prevailing nutrient-by-nutrient approach.

In Defense of Food reminds us that, despite the daunting dietary landscape Americans confront in the modern supermarket, the solutions to the current omnivore’s dilemma can be found all around us.

In looking toward traditional diets the world over, as well as the foods our families-and regions-historically enjoyed, we can recover a more balanced, reasonable, and pleasurable approach to food. Michael Pollan’s bracing and eloquent manifesto shows us how we might start making thoughtful food choices that will enrich our lives and enlarge our sense of what it means to be healthy.

The Kept Man
by Jami Attenberg

New in Hardcover $24.95

Banana: The Fate of the Fruit That Changed the World
by Dan Koeppel

New In Hardcover $23.95 - 10%

To most people, a banana is a banana: a simple yellow fruit. Americans eat more bananas than apples and oranges combined. In others parts of the world, bananas are what keep millions of people alive. But for all its ubiquity, the banana is surprisingly mysterious; nobody knows how bananas evolved or exactly where they originated. Rich cultural lore surrounds the fruit: In ancient translations of the Bible, the “apple” consumed by Eve is actually a banana (it makes sense, doesn’t it?). Entire Central American nations have been said to rise and fall over the banana.

But the biggest mystery about the banana today is whether it will survive. A seedless fruit with a unique reproductive system, every banana is a genetic duplicate of the next, and therefore susceptible to the same blights. Today’s yellow banana, the Cavendish, is increasingly threatened by such a blight—and there’s no cure in sight.

Banana combines a pop-science journey around the globe, a fascinating tale of an iconic American business enterprise, and a look into the alternately tragic and hilarious banana subculture (one does exist)—ultimately taking us to the high-tech labs where new bananas are literally being built in test tubes, in a race to save the world’s most beloved fruit.
This Book Contains Graphic Language: Comics As Literature
by Rocco Versaci

New in Paperback $19.95

As comics and graphic novels are becoming more popular than ever, literary critics now will now have a new subject to add to the mix. While many advocates of the medium have maintained that comics are a true art form, there have been no sustained and detailed comparisons among comics and “legitimate” forms of literature. Filling this void, This Book Contains Graphic Language examines different literary forms and genres in relation to their comic book counterparts. These literatures include prose memoir, Holocaust memoir, journalism, film, and - for lack of a better term - the “classics”. Each chapter outlines the key issues of one of these forms and then explores how comic books have been able to reflect and expand upon those issues in unique ways. The point of each chapter - and of the book as a whole - is to demonstrate that comic books are as “literary” as those forms traditionally held in much higher regard.

Writers Under Siege: Voices of Freedom from Around the World
Edited by Lucy Popescu & Carole Seymour-Jones

To mark 85 years of work assuring that oppressed writers are heard in their home countries and around the world, the literary and human rights organization PEN presents a collection of essays from some 50 writers; their one common trait, as noted by Michael Palin in a blurb, is that “they have all been coerced into not writing.” Designed to demonstrate the major ways in which writers are silenced, shocking and sobering lessons in author suppression are broken up into sections on prison, death and exile, though the distinction seems arbitrary; the central theme of oppression weighs much more heavily on writers’ stories than the specific methods employed. It’s important, both thematically and practically, to note that PEN does not differentiate between the talents and skills of persecuted writers; as such, not every piece succeeds, and the similarity of the subject matter can make them difficult to distinguish. But grace notes abound, such as Zimbabwean poet, novelist and columnist Chenjerai Hove explaining, “every new word and metaphor I create is a little muscle in the act of pushing the dictatorship away.” As an act of commemoration, as well as a sobering reminder of a world in which writers are frequently-and all too easily-silenced, this is an exceptional anthology.